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        <title>Wake Up!</title>
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<relevantcontentResponse xmlns:a="http://schemas.microsoft.com/2003/10/Serialization/Arrays" xmlns:i="http://www.w3.org/2001/XMLSchema-instance" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="com.rovicorp.metadataservice" xmlns:meta="com.rovicorp.metadataservice" meta:id="tul1cpgpsrapp26:gwy:3gzlqq">
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        <title>Out of Time</title>
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            <id>MN0000894465</id>
            <name>The Rolling Stones</name>
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        <review>
          <text>[roviLink="MC"]"Out of Time"[/roviLink] was one of the great LP-only [roviLink="MN"]Rolling Stones[/roviLink] cuts of the 1960s, appearing on [roviLink="MW"]Aftermath[/roviLink] in the U.K. in 1966 and on [roviLink="MW"]Flowers[/roviLink] slightly later in the U.S. The instantly catchy, deep, blurry opening riff -- which sounds much like farting electric keyboards, if truth be told -- is followed by a jazzy run on the vibes (almost certainly played by [roviLink="MN"]Brian Jones[/roviLink]). Like [roviLink="MC"]"Under My Thumb,"[/roviLink] also recorded around this time, it illustrated how [roviLink="MN"]the Stones[/roviLink] were getting into varied textures that reached beyond their [roviLink="MA"]blues-rock[/roviLink] base. Set to a lightly swinging rhythm, the verse utilizes the group's overlooked talent for slightly raw but purposeful call-response lines between [roviLink="MN"]Mick Jagger[/roviLink]'s lead and backup harmonizers. The joyful chorus is almost as memorable as the hooks heard on the best 1960s [roviLink="MN"]Rolling Stones[/roviLink] singles -- and, as was often the situation with vocal hooks on [roviLink="MN"]Rolling Stones[/roviLink] songs, juxtaposed the [roviLink="MA"]pop[/roviLink] exuberance of the melody with a nasty, vindictive lyric. As putdown lyrics of girls go in [roviLink="MN"]Stones[/roviLink] tunes, [roviLink="MC"]"Out of Time"[/roviLink] is one of the most artful yet vengeful, implying -- no, outright stating -- that she's outlived her usefulness, both to him and to the world in general. The restraint of the vocal delivery does ameliorate what could be perceived, with some justification, as a diatribe with some misogynistic elements. Possibly, there is a pun or double meaning involved in the title lyric. The girl is "out of time," perhaps, in several ways: out of sync with the world around her, or out of time remaining in the relationship with the narrator. (It was this quality, most likely, that enabled [roviLink="MC"]"Out of Time"[/roviLink] to find its way onto a prominent position on the soundtrack of the movie [roviLink="VW"]Coming Home[/roviLink], as it reflected the "out of timeness" and disorientation felt by the returning Vietnam vets of the film.) And, of course, "out of time" is a musical term as well, referring to those who can't keep the beat -- a cardinal sin for musicians as committed and successful as [roviLink="MN"]the Rolling Stones[/roviLink]. It's not mere conjecture to surmise that [roviLink="MC"]"Out of Time"[/roviLink] had serious commercial potential as a single if [roviLink="MN"]the Stones[/roviLink] had decided to release it as such, since it was a number one single in the U.K. for their friend, [roviLink="MN"]Chris Farlowe[/roviLink], produced by [roviLink="MN"]Mick Jagger[/roviLink]. Actually, this is an inferior rendition, with a far more [roviLink="MA"]pop[/roviLink]-oriented production using strings. If you have never heard the [roviLink="MN"]Farlowe[/roviLink] version, but have [roviLink="MN"]the Stones[/roviLink]' outtakes compilation [roviLink="MW"]Metamorphosis[/roviLink], you can still hear the backing track, as the version used on that album had the very same backing track used for [roviLink="MN"]Farlowe[/roviLink]'s single, with a different vocal by [roviLink="MN"]Jagger[/roviLink] laid on top. To compound the discographical confusion, a longer [roviLink="MN"]Rolling Stones[/roviLink] version of [roviLink="MC"]"Out of Time"[/roviLink] exists than is commonly available on most releases, although it's not much different from the familiar one. Long after the 1960s were done with, [roviLink="MN"]the Ramones[/roviLink] revived the song for their '90s album of '60s covers, [roviLink="MW"]Acid Eaters[/roviLink]. ~ Richie Unterberger</text>
          <author>Richie Unterberger</author>
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