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        <title>A Question of Lust</title>
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          <AlbumArtist>
            <id>MN0000239921</id>
            <name>Depeche Mode</name>
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        <isPick>true</isPick>
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            <name>Electronic</name>
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            <name>Pop/Rock</name>
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        <review>
          <text>One of [roviLink="MN"]Martin Gore[/roviLink]'s most emotional ballads, [roviLink="MC"]"A Question of Lust"[/roviLink] is a tender yet epic slice of beauty. Whenever [roviLink="MN"]Gore[/roviLink] handles vocals on his own, it's a sign the song will deal with stark, personal feelings. Here, [roviLink="MN"]Gore[/roviLink]'s voice emerges as if he's singing a lullaby. By the time the song concludes, he's emoting desperation like a wounded gospel singer. Electronic sound effects build, tumble apart, and rebuild around his slightly echoing voice. Ambient sound washes, electronically processesed handclaps, complex racing keyboard melodies, and high-pitched synth notes paint an atmosphere of optimistic sadness. [roviLink="MN"]Gore[/roviLink] sings of all his weaknesses, from his fragility to his crippling inhibitions to his constant apologies. Each time he repeats the chorus, more emotion is revealed. "It's a question of lust/It's a question of trust/It's a question of not letting what we've built up crumble to dust," [roviLink="MN"]Gore[/roviLink] admits, that keep him and his lover together. [roviLink="MC"]"A Question of Lust"[/roviLink] is a vital cog, if not the heart, of [roviLink="MW"]Black Celebration[/roviLink]. It's a perfect [roviLink="MN"]Depeche Mode[/roviLink] song and one of [roviLink="MN"]Martin Gore[/roviLink]'s most touching artistic achievements. Despite the fact that he's pouring out his soul by nearly screaming his vocals at times, the song is as delicate as a baby's blanket. That he's still singing as [roviLink="MC"]"A Question of Lust"[/roviLink] fades out is all the more reason to reach for the repeat button on one's CD player. ~ Tim DiGravina</text>
          <author>Tim DiGravina</author>
        </review>
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        <title>Magic</title>
        <primaryArtists>
          <AlbumArtist>
            <id>MN0000061172</id>
            <name>The Cars</name>
          </AlbumArtist>
        </primaryArtists>
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        <review>
          <text>Although it sold zillions of copies, the word on 1984's [roviLink="MW"]Heartbeat City[/roviLink] by a lot of the [roviLink="MN"]Cars[/roviLink]' old-school fans was that it was too slick. Since the [roviLink="MN"]Cars[/roviLink] were always proudly, unapologetically slick, the argument doesn't really hold water. Perhaps what they mean -- especially in regards to the enormous hit [roviLink="MC"]"Magic,"[/roviLink] which was inescapable in the summer of 1984 -- is that the song is a bit slight and bubblegummy, and that [roviLink="MN"]Mutt Lange[/roviLink]'s production is exceedingly gimmicky. The song is certainly guilty on both counts, but in such a cavalier way that it seems bad form to get too worked up over deliberate silliness like the tongue-click sound that follows the first verse's line about high heels clicking or the way that the song's multiply-overdubbed, airy harmony vocals less-than-subtly recall [roviLink="MN"]Pilot[/roviLink]'s similarly cheesy 1975 hit [roviLink="MC"]"Magic"[/roviLink] on the "oh oh, it's magic" choruses. Even more than the downright goofy [roviLink="MC"]"You Might Think,"[/roviLink] [roviLink="MC"]"Magic"[/roviLink] is cotton candy for the ears, a giddy and possibly somewhat cynical bit of perfect pop radio fluff. ~ Stewart Mason</text>
          <author>Stewart Mason</author>
        </review>
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